WELCOME, to a fantastic 2019 calendar of events!
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CAM 2019 Calendar Now Accepting New Submissions
Contemporary Art Month, San Antonio (CAM) announces its calendar is open for submissions for March 2019. The CAM calendar is open to all San Antonio area artists, curators, directors, club owners, producers, events managers, and arts organizations to announce and promote events, shows, and exhibitions that promote Contemporary Art in San Antonio taking place during the month of March 2019.
In 2019 CAM is once again partnering with the San Antonio CURRENT which will feature the entire calendar in the printed edition throughout the month of March. Any events to be published in the printed calendar should be received by February 11, 2019 without exception.
The cost of announcing is minimal and only a single charge per venue, not per event. Any venue may submit numerous events to promote throughout the month with the single price per venue. The payment schedule is as follows:
Artist Run Spaces: $15
Commercial Run Space: $30
Institutions: $50
For more information on the Contemporary Art Month calendar please visit: http://contemporaryartmonth.com/calendar/
Please direct any and all inquiries to:
Nina Hassele
(210) 630-0235
info@contemporaryartmonth.com
Linda Pace Foundation announces its 2018 exhibition, Reclaimed, a presentation of 25 monochromatic works by some of the most influential contemporary female artists working today, all drawn from the Foundation’s diverse collection. Artists include Laura Aguilar, Dorothy Cross, Judy Dater, Annette Messager, Lorraine O’Grady, Robyn O’Neil, Linda Pace, Tracey Rose, Lara Schnitger and Kiki Smith, with works spanning 1975 through 2009.
As the title implies, the exhibition addresses the concept of ownership—both literally and figuratively—and the notion of “reclaiming” what’s ours, from our lands and governments to our physical bodies and basic human rights. Central to each of the works on view are themes of nature, identity and the female form, often times as a depiction of non-traditional feminine ideals. For instance, in Mexican-American photographer Laura Aguilar’s self-portrait series, Stillness, the artist displays her large, naked body against the natural landscape. By fusing the cracked earth, bulbous rocks and knotted tree trunks of the San Antonio wilderness with the curvatures and folds of her own unconventional shape, Aguilar asserts her beauty as an extension of nature.
Other artists in the exhibition address these themes by exploring the decentralization of the human body. In Annette Messager’s sculptural installation Mes voeux sous filets, dozens of photographs, each containing a single foot, mouth, ear, nose, breast, etc. hang beneath a layer of netting. Inspired by religious relics historically hung from church ceilings, Messager employs these symbols as a commentary on blurred gender binaries and the widespread objectification of the physical form.
Similarly, in Landscape (Western Hemisphere), a single channel video installation, Lorraine O’Grady’s hair serves as the primary subject. Filmed at an extreme close-up and presented without context, the gently-blowing strands are reminiscent of a dense forest, and by drawing this comparison between African American femininity and the western world, O’Grady points to the fraught history of colonization and its continued effects on racial equality today.
Throughout the exhibition, the color palette—or lack thereof—and focus on photography, film, cast sculpture and works on paper, underscores the seriousness of the subject matter and harkens back to more traditional methods of artistic production. A departure from the Foundation’s typical spotlight on experimental and new media works, this unexpected selection provides insight into the depth and variedness of the permanent collection.
About Linda Pace Foundation
Linda Pace Foundation is committed to the charitable vision of its founder. Guided by the donor’s conviction that contemporary art is essential to a dynamic society, Linda Pace Foundation fosters the creation, presentation and understanding of innovative expression through contemporary art.
Linda Pace Foundation publicly exhibits its collection through loans to museums and Space Gallery, its public exhibition gallery. Free and open to the public Wednesday through Saturday, 12 noon – 5pm, Space Gallery showcases the collection of late philanthropist and artist Linda Pace, as well as related contemporary art exhibitions on an ongoing basis. Visitors enter through Chris Park to access Space Gallery, experiencing the meandering beauty of another of Linda Pace’s creations.
Since 2007, the Foundation has loaned hundreds of works to institutions such as: Pulitzer Arts Center in St. Louis, Missouri, Gwangju Biennale in South Korea, Tate in London, MASS MoCA in North Adams, Mass., Brooklyn Museum in New York, Louisiana Museum of Modern Art in Denmark, and Museo de Arte Contemporáneo de Monterrey – MARCO in Mexico and others.
The Foundation fulfills Linda Pace’s vision of supporting the work of international contemporary artists. Acquisitions typically echo the themes and character of Pace’s own collecting, which favored works that reflected a feminist perspective, engaged social issues and considered aspects of spirituality and beauty.
Since Linda Pace’s death in 2007, the Foundation has steadfastly worked towards realizing her vision, in fact her mandate – to create a contemporary art center for the community, artists and the world to experience contemporary art. Sir David Adjaye has designed a building, which will open to the public in 2019 in San Antonio, Texas. The building will exhibit the Foundation’s growing collection and serve as a destination for visitors to contemplate and experience adventurous artwork from the recent past.
For more information visit http://www.lindapacefoundation.org
SPACE, the Linda Pace Foundation Gallery, is free and open to the public Wednesday through Saturday, 12 noon–5PM.